{"product_id":"19aes-b03-creating-an-immersive-audio-experience-in-live-sports","title":"19AES-B03: Creating an Immersive Audio Experience in Live Sports","description":"\u003cp\u003eModerator:\u003cbr\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.aes.org\/events\/147\/presenters\/?ID=8695\"\u003ePeter Wharton\u003c\/a\u003e\u003c\/em\u003e, Happy Robotz - Washington D.C., USA; SMPTE\u003cbr\u003ePanelists:\u003cbr\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.aes.org\/events\/147\/presenters\/?ID=9072\"\u003eMike Babbitt\u003c\/a\u003e\u003c\/em\u003e, Dolby Laboratories - San Francisco, CA, USA\u003cbr\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.aes.org\/events\/147\/presenters\/?ID=8698\"\u003eDennis Baxter\u003c\/a\u003e\u003c\/em\u003e, Dennis Baxter Sound - Gainesville, GA, USA\u003cbr\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.aes.org\/events\/147\/presenters\/?ID=8696\"\u003eKarl Malone\u003c\/a\u003e\u003c\/em\u003e, NBC Universal - Stamford, CT, USA\u003cbr\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.aes.org\/events\/147\/presenters\/?ID=9073\"\u003ePatrick Warrington\u003c\/a\u003e\u003c\/em\u003e, Lawo AG - Germany\u003c\/p\u003e\n\u003cp\u003eImmersive audio is being used today in live sports broadcasts to create a more compelling experience for the viewer. Creating this immersive experience presents a number of creative and technical challenges and questions. What is the perspective of the listener – is it one as an observer, a participant, or a mix of both? How does one leverage height in a mix when there are no obvious sound cues from above? Is a multi-bus mix console sufficient for mixing immersive audio? What new skills must an A1 master with immersive audio? How do you mix for a the wide range of listening environments including immersive, 5.1, stereo, soundbars and headphones?\u003cbr\u003e\u003cbr\u003eConsumers are also looking for a more personalized experience, one where they can choose their perspective and modify the mix accordingly. Can this be accomplished while maintaining control over the quality of the listener’s experience?\u003cbr\u003e\u003cbr\u003eThese presentations and panel discussion will look at how immersive audio is being implemented today and the techniques and best practices for production that have been developed from micing and mixing through monitoring and distribution. Case studies from a number of live sports events will be used to illustrate the concepts including Olympics, NHRA and FIFA World Cup .\u003c\/p\u003e","brand":"Audio Engineering Society","offers":[{"title":"Default Title","offer_id":49970093588795,"sku":"19AES-B03","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0903\/3560\/9147\/files\/19AESPic_058a6ae2-3bfd-45da-921a-a71bd018ba56.jpg?v=1737907963","url":"https:\/\/mobiltape.com\/products\/19aes-b03-creating-an-immersive-audio-experience-in-live-sports","provider":"Mobiltape","version":"1.0","type":"link"}