{"product_id":"19aes-rp03-so-unforgettable-2-iconic-albums-from-2-non-studio-spaces","title":"19AES-RP03: So Unforgettable—2 Iconic Albums from 2 Non-Studio Spaces","description":"\u003cp\u003eModerator:\u003cbr\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.aes.org\/events\/147\/presenters\/?ID=8767\"\u003eAlex Case\u003c\/a\u003e\u003c\/em\u003e, University of Massachusetts Lowell - Lowell, MA, USA\u003cbr\u003ePresenter:\u003cbr\u003e\u003cem\u003e\u003ca href=\"http:\/\/www.aes.org\/events\/147\/presenters\/?ID=8765\"\u003eKevin Killen\u003c\/a\u003e\u003c\/em\u003e, New York, NY, USA\u003c\/p\u003e\n\u003cp\u003eU2’s \u003cem\u003eThe Unforgettable Fire\u003c\/em\u003e, and Peter Gabriel’s \u003cem\u003eSo\u003c\/em\u003e were released just two years apart, and Kevin Killen was part of both. These records represented major points of creative inflection for each artist. Most of the production took place outside of any traditional studio, recording U2 in a castle and Gabriel in a converted cow shed. These special projects placed unique demands on the producers and engineers to deliver. \u003cem\u003eThe Unforgettable Fire\u003c\/em\u003e was released in 1984, \u003cem\u003eSo\u003c\/em\u003e hit the world in 1986, and the results speak for themselves. The records have become sonic touchstones for many artists and engineers since. Interviewed by Alex Case, Kevin Killen takes us into the sessions so that we might learn from his experiences.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Audio Engineering Society","offers":[{"title":"Default Title","offer_id":49970100175163,"sku":"19AES-RP03","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0903\/3560\/9147\/files\/19AESPic_6059eb7b-d2eb-4ef6-adff-188f7ca03230.jpg?v=1737908212","url":"https:\/\/mobiltape.com\/products\/19aes-rp03-so-unforgettable-2-iconic-albums-from-2-non-studio-spaces","provider":"Mobiltape","version":"1.0","type":"link"}