2015 Audio Engineering Society 139th Convention

October 29 - November 1, 2015 l New York, New York

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15AES-PD10 Optimizing the Powered Loudspeaker System

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15AES-PD11 Loudspeaker Measurements

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15AES-PD12 The Past, Present, and Future of Coaxial and Related Transducers

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15AES-PSE01 Making the Most of Your Studio Purchasing Budget

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15AES-PSE02 The Five Most Common Project Studio Recording Mistakes

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15AES-PSE03 Outside the Box: Alternative Outlets for Your Music

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15AES-PSE04 Levels, Headroom, and Loudness

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15AES-PSE05 The Special Sauce for Mixing a Hit Record

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15AES-PSE06 Songwriting/Recording on the Fast Track

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15AES-PSE07 Personal Networking for the Audio Professional

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15AES-PSE08 The Project Studio in the Commercial World

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15AES-PSE09 Brickwall Limiting: The Infinite Options in Modern Music Production

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15AES-PSE10 Mixing An Ensemble Recording

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15AES-PSE11 Mastering Inside Your DAW

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15AES-PSE12 The REAL Skills You Need to Record Professionally

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15AES-PSE13 Audio as a Business: Building and Developing a Career

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15AES-PSE14 Mastering and Recording with High Performance Analog Electronics

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15AES-PSE15 Converter Technology and Clocking Issues

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15AES-PSE16 Loudspeaker Technology and Setup

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15AES-PSE17 Practical Room Acoustics and Treatment

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15AES-PSE18 Microphone Technology and Usage

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15AES-PSE19 VIP Guest Speaker on Career Success and Their Secret Sauce!

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15AES-RM01 Master Class with John Congleton - Recording St. Vincent, Swans and Modest Mouse

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15AES-RM02 Master Class with Warren Huart - Recording James Blunt and The Fray

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15AES-RM03 Master Class with Val Garay - Kim Carnes, Linda Ronstadt, and James Taylor

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15AES-RM04 Raw Tracks 2.0—Anatomy of: A Latin Jazz Classic— The Afro Latin Jazz Orchestra in Havana

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15AES-RM05 Raw Tracks 2.0—Anatomy of: On-Set Recording “Nashville”—Keeping it Real

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15AES-RM06 Master Class with Jack Douglas - Recording Aerosmith, Alice Cooper and John Lennon

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15AES-RM07 The Game Has Changed but You Don’t Know It: How to Make Recordings Sound Great on Streaming

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15AES-RM08 Master Class with Dave O’Donnell - Recording James Taylor’s “Before This World”

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15AES-RM09 Raw Tracks 2.0—Anatomy of: A Country Hit—Kacey Musgraves’ “Same Trailer Different Park”

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15AES-SA01 Object Based Immersive / 3D Audio Production

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15AES-SA02 Immersive / 3D Audio for Games

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15AES-SA03 Rules to Get Great Multichannel 3D Sound for Synthesizer Music

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15AES-SA04 Sounds Across the Sea—A Journey in 9.1 Immersive Audio

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15AES-SA05 Psychoacoustics of 3D Sound Recording

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15AES-SA06 ISO/MPEG-H Audio - The New Standard for Universal Spatial / 3D Audio Coding

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15AES-SE01 Opening Ceremonies - Keynote Will NOT Be Included

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15AES-SE02 Platinum Latin Producers & Engineers

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15AES-SE03 Producing Across Generations: New Challenges, New Solutions— Making Records for Next to Nothing in the 21st Century

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15AES-SE04 Heyser Lecture: Bruce Koenig

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15AES-SE05 Platinum Producers—Bad Vibrations

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15AES-SE06 Lunchtime Keynote—Ed Greene

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15AES-SE08 Platinum Engineers

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15AES-SE09 VOODOO: The Analog World of Russ Elevado

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15AES-SE10 The Great British Recording Studios

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15AES-SE11 Platinum Mastering

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15AES-SE12 Your Credits, Your Money, the New Data Standards and DDEX — What YOU Need to Know!

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15AES-SE13 Bridging the Gap between Creativity & Technology:Working with Composers on Film and Media Projects for Music and Mix Engineers with Composer/Producer Frank Ferrucci

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15AES-SE14 Saul Walker – The Rocket Scientist in the Recording Studio

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15AES-SE15 GRAMMY SoundTable: After Hours—Mixing for Late Night New York

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